![]() Iran needs all the friends it can get in its present stand-off with the United States. And F-16s, wonderful interceptors that they are, are useless against internal enemies.Ĭonsider our immediate neighbourhood: Afghanistan, despite its old reservations about the Durand Line and its claim on Pakistani territory, is too weak currently to pose a military threat. The problem is that the threat we face is not from the air, but from within. And once the two dozen F-16s of the initial consignment have arrived, I am sure Pakistani airspace will be more secure than ever before. I suppose glasses of syrupy Rooh Afza must have been raised in toasts at GHQ and Air Force headquarters, and they must have danced a celebratory jig at the presidency. And now, after all these years, Musharraf is the one to have hit the jackpot. Successive ambassadors have spent their entire tenures in the American capital in a futile quest for the Holy Grail. These live recordings have never been officially commercially released with these original versions unheard.FOR over 15 years now, every government in Islamabad has made the restoration of the supply of F-16s the centrepiece of its diplomatic and defence policies.Įlected leaders and military dictators have made the pilgrimage to Washington to plead their case. Accompanying the lot are 2 printed photos of Wings and their road crew/management at Abbey Road studios on Sunday 25th August enjoying a Chinese takeaway, which are signed by Geoff Britton. Geoff Britton has been in touch with the director of the film who stated he wasn't given any copies of the acetates leading us to believe that only these and Paul McCartney's copies are in existence. The filming took place in studio 2 but the repeat recordings were done in studio1. The band went into Abbey Road studios on Sunday 25th August 1974 and over the next few days they recorded the tracks which made up the final recording. A series of EPs were planned to be released in conjunction with the film (directed by Dave Lichfield) with the aim of capturing the band playing live in informal recording sessions. No timing indicated but handwritten 'Juniors Farm, Just, Soily, Wings'. Record '4' is in similar VG+ condition with a few light hairline marks, nothing ever heavier in nature. Handwritten timing of 22'14 and 'Reel C Wings'. Record '3' is in similar VG+ condition - again nice and glossy with a few light hairline marks. Handwritten timing of 21'04 and 'Reel B Wings'. Record '2' is in glossy VG+ condition with some light hairline marks, nothing heavier. Record '1' is in VG condition with some surface/storage marks though no heavier scratches, handwritten timing of 21'00 and 'Reel A Wings'. Moo' and Let Me Roll It, 'From Reel B': Junior's Farm, Hi-Hi-Hi, Go Now, Maybe I'm Amazed and Bluebird, 'From Reel C': Blue Moon Of Kentucky, My Love, Nineteen Eighty Five, Live And Let Die and Band On The Run and 'Untitled': Junior's Farm, Jet and Soiley (sic. The tracks contained on each record are: 'From Reel A': One Hand Clapping, Jet, Soiley, Little Woman Love/'C. ![]() Unbelievable piece of Paul McCartney & Wings history with this set of 4 x single sided EMI Studios acetate LP recordings of the One Hand Clapping sessions. PAUL McCARTNEY & WINGS - ONE HAND CLAPPING - ORIGINAL EMI STUDIOS LP ACETATE RECORDINGS.
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